The University of Texas Press is a book publisher—a focal point where the life experiences, insights, and specialized knowledge of writers converge to be disseminated in print.
By launching a scholarly press in 1950, the University of Texas made several important statements: books matter; books educate; and publishing good books is a public responsibility and a valuable component of the state’s system of higher education. In the years since, the Press has become a publisher of international scope, issuing works in a wide range of fields. Our books present the results of original research conducted all across the United States and Latin America and in centers of learning throughout the world. These scholarly books contain important theories and discoveries and help to preserve the cultural heritage of the Americas.
The University of Texas Press has published more than 4,000 books over seven decades. Under the direction of Robert Devens, the Press produces approximately one hundred new books and thirteen journals each year.
Key subject areas
Film, Media & Comic Book Studies
Texas Catalogues
Texas Featured Titles
For the Bees
A Handbook for Happy Beekeeping
Tara Dawn Chapman, Caroline Brown
5 November 2024
The Claremont Run
Subverting Gender in the X-Men
J. Andrew Deman, Jay Edidin
10 September 2024
The Burning Plain
Juan Rulfo, Douglas J. Weatherford
3 September 2024
Loose of Earth
A Memoir
Kathleen Dorothy Blackburn
16 April 2024
Paid to Care
Domestic Workers in Contemporary Latin American Culture
Rachel Randall
23 January 2024
A Body of One's Own
A Trans History of Argentina
Patricio Simonetto
16 January 2024
Llamas beyond the Andes
Untold Histories of Camelids in the Modern World
Marcia Stephenson
12 December 2023
Pink Gold
Women, Shrimp, and Work in Mexico
María L. Cruz-Torres
5 December 2023
Quantum Justice
Global Girls Cultivating Disruption through Spoken Word Poetry
Crystal Leigh Endsley
7 November 2023
Reckoning with Harm
The Toxic Relations of Oil in Amazonia
Amelia M. Fiske
17 October 2023
Why Mariah Carey Matters
Andrew Chan
12 September 2023
Why Willie Mae Thornton Matters
Lynnée Denise
12 September 2023
The New Public Art
Collectivity and Activism in Mexico since the 1980s
Mara Polgovsky Ezcurra
12 September 2023
The Value Gap
Female-Driven Films from Pitch to Premiere
Courtney Brannon Donoghue
8 August 2023
Selling Science Fiction Cinema
Making and Marketing a Genre
J P. Telotte
18 July 2023
Quantum Criminals
Ramblers, Wild Gamblers, and Other Sole Survivors from the Songs of Steely Dan
Alex Pappademas, Joan LeMay
9 May 2023
Comic Book Women
Characters, Creators, and Culture in the Golden Age
Peyton Brunet, Blair Davis, Trina Robbins
28 March 2023
Supersex
Sexuality, Fantasy, and the Superhero
Anna Peppard
28 March 2023
A Pure Solar World
Sun Ra and the Birth of Afrofuturism
Paul Youngquist
7 March 2023
The Color Pynk
Black Femme Art for Survival
Omise'eke Natasha Tinsley
1 November 2022
Undocumented Motherhood
Conversations on Love, Trauma, and Border Crossing
Elizabeth Farfán-Santos
18 October 2022
Maybe We'll Make It
A Memoir
Margo Price
4 October 2022
Black Country Music
Listening for Revolutions
Francesca T. Royster
4 October 2022
I've Had to Think Up a Way to Survive
On Trauma, Persistence, and Dolly Parton
Lynn Melnick
4 October 2022
Texas Featured Series
Music Matters
Series editors: Evelyn McDonnell & Oliver Wang
Music Matters is a new series of concise books that make outsize arguments for the meaning and legacy of a wide range of popular artists. These short, sharp polemics will make the musical, cultural, experiential, and personal case for the artists we love, all filtered through the consciousness of writers of distinction working in music criticism, journalism, academia, and literature.
Why Sinéad O'Connor Matters
Why Willie Mae Thornton Matters
Why Tammy Wynette Matters
Why Marianne Faithfull Matters
Why Bushwick Bill Matters
Why Lhasa de Sela Matters
Why Karen Carpenter Matters
Why the Beach Boys Matter
World Comics and Graphic Nonfiction Series
Series editors: Frederick Luis Aldama & Christopher González
The World Comics and Graphic Nonfiction Series includes monographs and edited volumes that focus on the analysis and interpretation of comic books and graphic nonfiction from around the world. The books published in the series use analytical approaches from literature, art history, cultural studies, communication studies, media studies, and film studies, among other fields, to help define the comic book studies field at a time of great vitality and growth.
Redrawing the Western
A History of American Comics and the Mythic West
Searching for Feminist Superheroes
Gender, Sexuality, and Race in Marvel Comics
The Claremont Run
Subverting Gender in the X-Men
Latin American Comics in the Twenty-First Century
Transgressing the Frame
Super Bodies
Comic Book Illustration, Artistic Styles, and Narrative Impact
Supersex
Sexuality, Fantasy, and the Superhero
All New, All Different?
A History of Race and the American Superhero
Graphic Memories of the Civil Rights Movement
Reframing History in Comics
The Art of Pere Joan
Space, Landscape, and Comics Form
The Film Photonovel
A Cultural History of Forgotten Adaptations
Breaking the Frames
Populism and Prestige in Comics Studies
Make Ours Marvel
Media Convergence and a Comics Universe
Picturing Childhood
Youth in Transnational Comics
El Eternauta, Daytripper, and Beyond
Graphic Narrative in Argentina and Brazil
Arresting Development
Comics at the Boundaries of Literature
Graphic Borders
Latino Comic Books Past, Present, and Future
U.S. & Canada orders
If you are ordering from the U.S. or Canada, please visit https://utpress.utexas.edu