Star Wars after Lucas
A Critical Guide to the Future of the Galaxy
Published by: University of Minnesota Press
256 pages, 140.00 x 216.00 x 38.00 mm, 17
- ISBN: 9781517905422
- Published: April 2019
Politics, craft, and cultural nostalgia in the remaking of Star Wars for a new age
A long time ago, in a galaxy far, far away—way back in the twenty-first century’s first decade—Star Wars seemed finished. Then in 2012 George Lucas shocked the entertainment world by selling the franchise, along with Lucasfilm, to Disney. This is the story of how, over the next five years, Star Wars went from near-certain extinction to what Wired magazine would call “the forever franchise,” with more films in the works than its first four decades had produced.
Focusing on The Force Awakens (2015), Rogue One (2016), The Last Jedi (2017), and the television series Rebels (2014–18), Dan Golding explores the significance of pop culture nostalgia in overcoming the skepticism, if not downright hostility, that greeted the Star Wars relaunch. At the same time he shows how Disney, even as it tapped a backward-looking obsession, was nonetheless creating genuinely new and contemporary entries in the Star Wars universe.
A host of cultural factors and forces propelled the Disney-engineered Star Wars renaissance, and all figure in Golding’s deeply informed analysis: from John Williams’s music in The Force Awakens to Peter Cushing’s CGI face in Rogue One, to Carrie Fisher’s passing, to the rapidly changing audience demographic. Star Wars after Lucas delves into the various responses and political uses of the new Star Wars in a wider context, as in reaction videos on YouTube and hate-filled, misogynistic online rants. In its granular textual readings, broad cultural scope, and insights into the complexities of the multimedia galaxy, this book is as entertaining as it is enlightening, an apt reflection of the enduring power of the Star Wars franchise.
Introduction: Star Wars and the History of Nostalgia
1. Before the Empire: The Politics of George Lucas and the Critique of the Original Trilogy
2. It Calls to You: Selling Star Wars in 2015
3. Look How Old You’ve Become: The Force Awakens as Legacy Film
4. An Awakening: Diversity as the Politics of The Force Awakens
5. Just Like Old Times?: Music, Seriality, and the Fugue of The Force Awakens
6. You Have to Start Somewhere: Contrasting Nostalgias in The Force Awakens and Rogue One
7. You Think Anybody’s Listening?: Fighting Fascism in Rogue One and Rebels
8. I’ve Always Hated Watching You Leave: Death, Han Solo, and Carrie Fisher
9. I Will Finish What You Started: Star Wars from The Last Jedi and Beyond
"Star Wars is almost too big a subject for any one mind to grasp, but Dan Golding’s look at how the franchise maintains its nostalgic glow in the Disney era stays on target, excavating the unique combination of art and commerce that holds Star Wars together."—Adam Rogers, deputy editor of Wired and author of Proof: The Science of Booze
"Star Wars after Lucas is a useful and welcome review of the past four decades of Star Wars, as well as the strategies that corporations are increasingly adopting in order to perpetuate franchises. In particular, Dan Golding aptly describes Lucasfilm's struggles to balance nostalgic appeals with a growing commitment to diversity and inclusivity." —A. D. Jameson, author of I Find Your Lack of Faith Disturbing: Star Wars and the Triumph of Geek Culture
"Dan Golding’s wonderful book strikes a perfect balance between criticism and knowledgeable fandom. Approaching Disney-era Star Wars, his writing provides important insights into the workings of nostalgia culture, transmedia storytelling, and the power of transnational media industries in the age of global capitalism. His readings of individual Star Wars texts are thoughtful, nuanced, and theoretically informed, while at the same time relating them back to the complexities of branding, cross-platform marketing, and global entertainment franchising. Star Wars after Lucas is essential reading for anyone with an interest in media franchising, globalization, media industries, and entertainment in the Disney era." —Dan Hassler-Forest, coeditor of Star Wars and the History of Transmedia Storytelling