Acknowledgments
List of Illustrations
Introduction
Anton Pujol and Jaume Martí-Olivella
Part One: The Mavericks and the Barcelona School
1. Future Seeds: Some Considerations on the Cinema around Barcelona 92
Angel Quintana
Part Two: The Jordà Legacy
2. The Hunter and the Monkeys: Jacinto Esteva, Joaquim Jordà, and the Legacy of the Barcelona School
Esteve Riambau
3. Jordà’s Last Trilogy: Situationist Turn and Subject Transformation
Ignasi Gozalo-Salellas
4. The Militant Cinema of Joaquim Jordà
Steven Marsh
Part Three: The Portabella Nexus
5. Economies of Sound: Labouring Europe in Pere Portabella and Carles Santos
Sara Nadal-Melsió
6. Pere Portabella’s Radical Theatricality: A Political Gaze Over Two Transitions
Jaume Martí-Olivella
7. Traversing the Real with the Reel: Pere Portabella’s Vampir.Cuadecuc and Albert Serra’s Història de la meva mort Infrapolitical Spectrality
Teresa M. Vilarós
Part Four: The New (Post) Avant-Garde
8. Beyond Melancholy: The Post-Avant-Garde Cinema of José Luis Guerín
Josep Maria Català
9. On the Threshold of the Diegetic World: Optical and Haptic Visuality in Elisa K
Eva Bru
10. Watching Novels and Reading Films: Deleuzian Affects in Catalan Cinema
Anton Pujol
Part Five: Minimalism and Beyond
11. Formal Disruption, Minutiae, and Absence in the Films of Jaime Rosales
Agustín Rico-Albero
12. Identitykit: Where Do We Meet Isaki Lacuesta
Josetxo Cerdán and Miguel Fernández Labayen
Contributors
Index
Edition Statement (e.g. “2nd Edition”):
