Introduction. "Race, Place, and Power"
1. The White Spatial Imaginary 36-76
2. The Black Spatial Imaginary 77-107
3. Space, Sports, and Spectatorship in St. Louis 108-144
4. The Crime The Wire Couldn’t Name. Social Decay and Cynical Detachment in Baltimore 145-175
5. Horace Tapscott and the World Stage in Los Angeles 195- 225
6. John Biggers and Project Row Houses in Houston” 226-255
7. “Betye Saar’s Los Angeles and Paule Marshall’s Brooklyn” 256-293
8. “Something Left to Love. Lorraine Hansberry’s Chicago” 294-324
9. New Orleans Today. We Know This Place 325-370
10. A Place Where Everybody Is Somebody 371-399
Acknowledgments
Index
