Elena Gorfinkel is senior lecturer in film studies at King’s College London. She is coeditor of Taking Place: Location and the Moving Image (Minnesota, 2011).
John David Rhodes teaches at the University of Cambridge, where he is director of the Centre for Film and Screen. He is author of Stupendous, Miserable City: Pasolini’s Rome and coeditor of Taking Place: Location and the Moving Image, both from Minnesota.
Laurent Guido is Professor of Film History and Aesthetics at the University of Lausanne.
Olivier Lugon is Professor of Art History at the University of Lausanne.
Karl Schoonover is Associate Professor and Reader in Film and Television Studies at the University of Warwick and the author of Brutal Vision: The Neorealist Body in Postwar Italian Cinema.
Rosalind Galt is Professor of Film Studies at King's College London and the author of Pretty: Film and the Decorative Image.
Patricia White, Assistant Professor of English and Film Studies, teaches film and cultural studies at Swarthmore College. Her work has appeared in Screen, The Oxford Guide to Film Studies, and in numerous collections of feminist and lesbian/gay film studies. She is co-editor of a Wide Angle special issue devoted to the work of the feminist film distributor Women make Movies and a member of the editorial collective of Camera Obscura.
Peter Y. Paik is Associate Professor of Comparative Literature at the University of Wisconsin-Milwaukee. He is author of From Utopia to Apocalypse: Science Fiction and the Politics of Catastrophe and editor (with Marcus Bullock) of Aftermaths: Exile, Migration, and Diaspora Reconsidered.
Merry Wiesner-Hanks is Distinguished Professor of History at the University of Wisconsin-Milwaukee. Her books include The Renaissance and Reformation: A History in Documents, The Marvelous Hairy Girls: The Gonzales Sisters and Their Worlds, and Religious Transformations in the Early Modern World: A Brief Study with Documents.
