Cather Studies, Volume 11

List of Illustrations
Introduction: Willa Cather at the Modernist CruxPrologue: Gifts from the Museum: Catherian Epiphanies in Context Part 1. Beginnings
1. The Compatibility of Art and Religion for Willa Cather: From the Beginning2. Thea in Wonderland: Willa Cather’s Revision of the Alice Novels and the Gender Codes of the Western Frontier 3. Ántonia and Hiawatha: Spectacles of the Nation Part 2. Presences
4. Willa Cather, Howard Pyle, and “The Precious Message of Romance”5. “Then a Great Man in American Art”: Willa Cather’s Frederic Remington 6. Willa Cather, Ernest L. Blumenschein, and "The Painting of Tomorrow" 7. From The Song of the Lark to Lucy Gayheart, and Die Walküre to Die Winterreise8. The Trafficking of Mrs. Forrester: Prostitution and Willa Cather's A Lost Lady9. The Outlandish Hands of Fred Demmler: Pittsburgh Prototypes in The Professor’s House10. Translating the Southwest: The 1940 French Edition of Death Comes for the ArchbishopPart 3. Articulation: The Song of the Lark
11. Elements of Modernism in The Song of the Lark12. “The Earliest Sources of Gladness”: Reading the Deep Map of Cather’s Southwest 13. Re(con)ceiving Experience: Cognitive Science and Creativity in The Song of the Lark14. Women and Vessels in The Song of the Lark and Shadows on the RockEpilogue: The Difference That Letters Make: A Meditation on The Selected Letters of Willa Cather