Pity Is Not Enough

     "I'd rather fail in story writing than succeed in anything else,"
        Josephine Herbst declared in 1913. The Iowa native's Trexler family trilogy,
        with Pity Is Not Enough as its first volume, shows clearly that
        Herbst in fact succeeded at storytelling. The book draws loosely on Herbst's
        family history, using Reconstruction's demise in Georgia to link the advance
        of free market capitalism to the North's abandonment of its commitment
        to racial justice. The protagonists–Catherine Trexler and her brother
        Joe, a carpetbagger embroiled in railroad scandals–are ripped apart
        financially and psychologically by competing codes of domesticity, Southern
        manners, and capitalism. In her introduction to the book, Mary Ann Rasmussen
        argues that Herbst was unlike many other 1930s Leftists in that she refused
        the "essentialist notions of gender difference that confounded radical
        men and women of her generation." Herbst's first two novels, published
        in the late 1920s, were praised by both Katherine Anne Porter and Ernest
        Hemingway, but the writer gained greater fame with the proletarian fiction
        and leftist journalism she wrote during the next decade. Though never
        a member of the Communist Party, Herbst was ostracized as a sympathizer
        and dismissed from a government job in 1942. Because she never repudiated
        her radical beliefs and lifestyle, her literary reputation suffered.