Unfixed

9781478003663: Hardback
Release Date: 7th February 2020

9781478003922: Paperback
Release Date: 7th February 2020

132 illustrations, incl. 30 in color

Dimensions: 178 x 254

Number of Pages: 352

Duke University Press Books

Unfixed

Photography and Decolonial Imagination in West Africa

Jennifer Bajorek traces the relationship between photography and decolonial politics in Francophone west Africa in the years immediately leading up to and following independence from French colonial rule in 1960, showing how photography both reflected and actively contributed to social and political change.
Hardback / £90.00
This book can only be pre-ordered within 2 months of the publication date.
Paperback / £23.99
This book can only be pre-ordered within 2 months of the publication date.

In Unfixed Jennifer Bajorek traces the relationship between photography and decolonial political imagination in Francophone west Africa in the years immediately leading up to and following independence from French colonial rule in 1960. Focusing on images created by photographers based in Senegal and Benin, Bajorek draws on formal analyses of images and ethnographic fieldwork with photographers to show how photography not only reflected but also actively contributed to social and political change. The proliferation of photographic imagery—through studio portraiture, bureaucratic ID cards, political reportage and photojournalism, magazines, and more—provided the means for west Africans to express their experiences, shape public and political discourse, and reimagine their world. In delineating how west Africans' embrace of photography was associated with and helped spur the democratization of political participation and the development of labor and liberation movements, Bajorek tells a new history of photography in west Africa—one that theorizes photography's capacity for doing decolonial work.

List of Illustrations vii
A Note on Geography, Spelling, and Language  xiii
Preface  xvii
Acknowledgments  xix
Introduction. At Least Two Histories of Liberation  1
Part I. What Makes a Popular Photography?
1. Ça bousculait! (It Was Happening!)  41
2. Wild Circulation: Photography as Urban Media  83
3. Decolonizing Print Culture: The Example of Bingo  117
Part II. Republic of Images
4. Africanizing Political Photography  163
5. The Pleasures of State-Sponsored Photography  203
6. African Futures, Lost and Found  240
Notes  265
Bibliography  307
Index

Jennifer Bajorek is Associate Professor of Comparative Literature and Visual Studies at Hampshire College and Research Associate in the VIAD Research Centre, in the Faculty of Art, Design, and Architecture at the University of Johannesburg. She is also author of Counterfeit Capital: Poetic Labor and Revolutionary Irony.

“With intimate ethnography, urgent activism, and an intriguing mix of methodological and theoretical tools, Jennifer Bajorek presents a compelling set of arguments about photography's critical role in producing new publics with their own forms of political imagination and civic consciousness. Her book is an absolute pleasure to read and leaves readers with tantalizing possibilities for future scholarship in other sites at the reaches of the French colonial sphere.”

Elizabeth Harney, coeditor of
Mapping Modernisms: Art, Indigeneity, Colonialism

“Jennifer Bajorek offers a nuanced and sophisticated understanding of the transformative power of photography all while telling a compelling story packed with detail and brio. Beautifully written, highly original, and built around a core of remarkable images, Unfixed is unquestionably a major contribution.”

Christopher Pinney, author of
Camera Indica: The Social Life of Indian Photographs