Sounds of the Modern Nation

Acknowledgements 
Introduction: History, Ideas, Musical Writing, and the Writing of Music 
1. Modernism, Teleology, and Identity: Toward a Cultural Understanding of Julian Carillo's Sonodo 13 
2. The Avant-Garde as a Site of Identification: Style and Ideology in Carlos Chavez's Early Music 
3. Manuel M. Ponce, from Nineteenth-Century Modernismo to Twentieth-Century Modernism 
4. The Sounds of the Nation, Modernity, and Tradition: The First National Congress of Music as Synecdoche of Discourses 
5. Porfirian Music in Revolutionary Times: Atzimba and the Imagination of "the Indigenous" 
6. Ideas, Canon, Revolution, and Places in History: Carlos Chavez and His Relationships with Julian Carrillo and Manual M. Ponce 
Notes 
Bibliography 
Index