The Story of "Me"

"The Story of "Me" explores the territory between fiction and nonfiction specifically characterized by direct authorial intrusion into and interpretation of the text. . . . Worthington provides theoretical groundwork for addressing questions about gray areas between fiction and memoir regarding the nature of truth and fabrication. These questions are important because they concern trust and truth regarding "facts," the authorial voice, alternative narratives, the primacy and relevance of narrative voices, and so forth. It is good to work these ideas out, as Worthington does, in works by American writers such as Philip Roth, Joan Didion, and Kurt Vonnegut, but it is exponentially more significant for discussions of life and death issues such as truth, trust, convenient lies, inconvenient facts, "alternative" facts, and fake news as they play out on the national stage."—J. A. Zoller, Choice

“Consistently intriguing and elegantly constructed. The Story of ‘Me’ should find an appreciative audience, as it highlights not only the existence of this under-remarked-upon genre but also the enormous explanatory power of that genre for thinking through the pressures and issues that postwar literature confronted. The opening chapter is particularly compelling, as it traces how we might see the rise of autofiction as a reaction to a supposed crisis of American masculinity.”—Daniel Grausam, associate professor of English studies at Durham University and author of On Endings: American Postmodern Fiction and the Cold War

“An important and timely contribution. The level of scholarship that has gone into The Story of ‘Me’ is impressive: discussions are stuffed full of relevant references while remaining highly readable and coherent. The author’s grasp of the French context, relevant literary theory, and the American literary landscape is really admirable.”—Elizabeth H. Jones, joint academic director of the School of Arts and lecturer in French studies at the University of Leicester and author of Spaces of Belonging: Home, Culture, and Identity in Twentieth-Century French Autobiography