The Black Radical Tragic

Jeremy Matthew GlicksThe Black Radical Tragicis a book we were all waiting for without knowing it. Only now, after finding it, do we know what we were waiting for. ~Los Angeles Review of Books

Jeremy Matthew Glick'sThe Black Radical Tragic is a book we were all waiting for without knowing it....[Glick] combines here a sober and ruthless insight into the necessary tragic twists of the revolutionary process with the unconditional fidelity to this process. He stands as far as possible from the standard 'anti-totalitarian' claim that, since every revolutionary process is destined to degenerate, its better to abstain from it. This readiness to take the risk and engage in the battle, although we know that we will probably be sacrificed in the course of the struggle, is the most precious insight for us who live in new dark times. ~Slavoj Žižek, Los Angeles Review of Books

The Black Radical Tragicis infused with questions of memory, revolution, and how these concepts interact with one another across history. With rigorous attunement to the various registers in which revolt is recalled and recited, Jeremy Matthew Glick charts the Haitian revolution as an extended, ongoing historical moment of fugitive insurgency, the open culmination of the terrible and beautiful interplay of enlightenment and darkness. A brilliant and necessary book. ~Fred Moten,author of In the Break: The Aesthetics of the Black Radical Tradition

Grappling with the continuing reverberations of the Haitian Revolution in our present, Jeremy Matthew GlicksTheBlack Radical Tragicdefines the notion of the tragic within the black radical tradition with remarkable insights and impressive breadth. An engagingly written text that will shape not only how we think about the centrality of the Haitian Revolution but also questions of the modern in political thought. ~Anthony Bogues,Brown University

Glicks book...stands as an indispensable contribution to the field. Staging an essentialand all too rareconversation between dramatic literature and black radicalism, Glicks work itself stands as part of what Errol Hill called 'the revolutionary tradition in black drama.' ~TDR: The Drama Review