Queering Black Atlantic Religions

"Strongman’s contribution is an innovative deployment of cultural studies that looks at art, performance, film, and literature to research the religiosity of African diaspora communities in Latin America and the Caribbean. . . . The work is ultimately an important and sophisticated addition to the growing consideration of the transnational aesthetics that interconnect different kinds of queerness, blackness, and spirituality in the Americas."

~Solimar Otero, Journal of Folklore Research

"Strongman's expansion of transcorporeality is pivotal.… This book is a necessary read that contributes to the growing body of scholarship on gender and sexuality in African diasporic religions. . . . "

~Eziaku Nwokocha, Reading Religion

"[Strongman] pursues his materials with investigative prowess and scholarly verve, making this a major new reference point for scholarship on the subject."

~Kieth E. McNeal and Martin Tsang, New West Indian Guide

"Strongman's exploration of the body in literary genres provides an excellent framework for a new understanding of the body, transcending the Cartesian dialectics. Strongman's three case studies present indeed the 'full queer potentiality.'"

~Bettina E. Schmidt, Journal of Contemporary Religion

“Strongman’s audacity in exploring the evolution and intersection of Afro-Atlantic religiosity with queer bodies is a significant contribution to the literature and discourse on Afro-diasporic religions and cultural studies.... Strongman illustrates how scholarship can be expressive and an agent of radical transformation of social experience.”

~Mary Nyangweso, Hypatia

"Strongman’s work is a worthy and important effort. . . . I can only hope that future scholars will follow in Strongman’s footsteps, laboring to patch together the shattered mirror of queer Afro-diasporic affinities in spite of the logistic difficulties this labor presents."

~Marina Magloire, GLQ