Visions of Race, Death, and the Maternal
Critical American Studies
Published by: University of Minnesota Press
240 pages, 140.00 x 216.00 mm
- ISBN: 9780816653119
- Published: April 2011
Tapia explores the implications of this argument for racialized productions of death and the maternal in the context of specific cultural moments: the commemoration of Princess Diana in U.S. magazines; the intertext of Toni Morrison’s and Hollywood’s Beloved; the social and cultural death in teen pregnancy, imaged and regulated in California’s Partnership for Responsible Parenting campaigns; and popular constructions of the “Widows of 9/11” in print and televisual journalism.
Taken together, these various visual media texts function in American Pietàs as cultural artifacts and as visual nodes in a larger network of racialized productions of maternal bodies in contexts of national death and remembering. To engage this network is to ask how and toward what end the racial project of the nation imbues some maternal bodies with resurrecting power and leaves others for dead. In the spaces between these different maternities, says Tapia, U.S. citizen-subjects are born—and reborn.
1. Maternal Visions, Racial Seeing: Theories of the Photographic in Barthes’ Camera Lucida
2. Commemorating Whiteness: The Ghost of Diana in the U.S. Popular Press
3. Beloved Therapies: Oprah and the Hollywood Production of Maternal Horror
4. Prodigal (Non)Citizens: Teen Pregnancy and Public Health at the Border
5. Breeding Patriotism: The Widows of 9/11 and the Primetime Wombs of National Memory
Conclusion: Vivid Defacements
"American Pietàs offers a compelling analysis of racialized concepts of motherhood in American narratives of identity, history, and memory. Looking at both the construction of whiteness and racial otherness, Ruby C. Tapia attends to the intersections of race and gender in visual representations of national subjectivity. This is an extremely important intervention that interrogates, rather than simply references, the centrality of racialized motherhood to national identities." —Wendy Kozol, Oberlin College
"Ruby C. Tapia combines historical depth with subtle theoretical sophistication in her close readings of contemporary visual texts. Rarely are scholars able to read contemporary texts with such nuance and sustained insight, illuminating their wide-ranging importance in processes of self-identification and the production of national belonging." —Shawn Michelle Smith, School of the Art Institute of Chicago