The Medieval Salento
Art and Identity in Southern Italy
The Middle Ages Series
Published by: University of Pennsylvania Press, Inc.
480 pages, 178.00 x 254.00 x 0.00 mm, 20 color 149 b/w illus.
- ISBN: 9780812245547
- Published: April 2014
Located in the heel of the Italian boot, the Salento region was home to a diverse population between the ninth and fifteenth centuries. Inhabitants spoke Latin, Greek, and various vernaculars, and their houses of worship served sizable congregations of Jews as well as Roman-rite and Orthodox Christians. Yet the Salentines of this period laid claim to a definable local identity that transcended linguistic and religious boundaries. The evidence of their collective culture is embedded in the traces they left behind: wall paintings and inscriptions, graffiti, carved tombstone decorations, belt fittings from graves, and other artifacts reveal a wide range of religious, civic, and domestic practices that helped inhabitants construct and maintain personal, group, and regional identities.
The Medieval Salento allows the reader to explore the visual and material culture of a people using a database of over three hundred texts and images, indexed by site. Linda Safran draws from art history, archaeology, anthropology, and ethnohistory to reconstruct medieval Salentine customs of naming, language, appearance, and status. She pays particular attention to Jewish and nonelite residents, whose lives in southern Italy have historically received little scholarly attention. This extraordinarily detailed visual analysis reveals how ethnic and religious identities can remain distinct even as they mingle to become a regional culture.
Chapter 1. Names
Chapter 2. Languages
Chapter 3. Appearance
Chapter 4. Status
Chapter 5. The Life Cycle
Chapter 6. Rituals and Other Practices in Places of Worship
Chapter 7. Rituals and Practices at Home and in the Community
Chapter 8. Theorizing Salentine Identity
Database: Sites in the Salento with Texts and Images Informative
"A richly detailed and illuminating examination of a little-studied region of medieval southern Italy. Safran's interdisciplinary approach pushes the boundaries of identity scholarship by relying in particular on art historical and anthropological methods."—Joanna Drell, University of Richmond
"An ambitious and truly interdisciplinary book that covers a particularly vast body of material with exemplary clarity and erudition. Linda Safran provides an enormously rich source to fill in a major lacuna in the scholarship of medieval Italy."—Nino Zchomelidse, Johns Hopkins University