"[Narrative Complexity] is a volume that feels very well curated by its editors in that it achieves a true multi-disciplinarity: not only by addressing a multitude of narrative media, practices, and technologies but also by fostering a truly diverse set of ways to think about complexity."—Steven Willemsen, Projections
"Grishakova . . . and Poulaki . . . bring forward prominent scholars from around the world who offer vision and new theoretical frameworks regarding narrative studies. Contributors investigate narrative complexity from varying interdisciplinary viewpoints, including sense-making via mind-body engagement and social/cultural environments via technology and media. . . . The examinations of narratives in multiple emerging media contexts alone make this a worthy read."—K. L. Majocha, Choice
"Perhaps it is obvious that narrative—a communicative act stretching across potentially every aspect of human experience—is a complex process, but the discussion of the variable nature of that complexity as demonstrated in this volume is worth considering at length."—Daniel Peretti, Journal of Folklore Research
“Encyclopedic in scope, Narrative Complexity surveys a dazzling variety of genres, media forms, and theories about complexity, including artistic, literary, and scientific examples. Contributions by many eminent narratologists make this an invaluable work and essential reading for anyone interested in how the conjunction of narrative and complexity can be configured and interrogated. Kudos to the editors for introducing and assembling this remarkable collection.”—N. Katherine Hayles, author of Unthought: The Power of the Cognitive Nonconscious
“Challenging the distinction between ‘simplicity’ as primary and primordial and ‘complexity’ as secondary and derived from simplicity, these far-ranging studies make the case that human cultures and minds are inherently complex. They are indeterminate and uncertain. This holds particularly true for narrative discourse, which is at the heart of culture and mind. Understanding homo narrans means understanding the human being in the world in its most complex forms. As a consequence, narrative studies have to refine their intellectual instruments—conceptually, empirically, hermeneutically—in the ways impressively explored in this volume.”—Jens Brockmeier, professor of psychology at the American University of Paris
“This volume opens a new window on the emergence of narratology within the context of complexity theory. In contrast to its phase of pluralization in the form of diverse models and paradigms, narratology, by turning to complex phenomena such as self-organization, nonlinearity, recursion, and nonhierarchical relations in various media, is exploring new domains where the interactions between embodied cognition and social and cultural embeddedness are redefining the contours of narrative. Narrative Complexity bears witness to the repositioning of the ‘conditions of possibility’ of narratology.”—John Pier, University of Tours and CRAL (CNRS), Paris
