"Christensen's study is a welcome addition to the excellent studies of early modern domestic drama that have appeared in recent years . . . especially in its fresh readings of, and original insights into, plays that are now receiving much deserved, though delayed, attention."—Iman Sheeha, English
"Separation Scenes is strong, and necessary, in the way that it "notices" and analyzes aspects of these plays that tend to be ignored in our focus on their erring female protagonists, but which are crucial to understanding those same characters."—Margaret Mikesell, Renaissance Quarterly
"By layering a historical account of gender, sexuality, and marriage in the period with analyses of domestic labor, domestic space, and the geography of urban commerce, Christensen is able to provide a powerful model of a feminist reading practice."—Henry S. Turner, SEL Studies in English Literature 1500-1900
"Separation Scenes is useful for its attention to domestic spaces, marital relations, and economic conditions in the early modern period."—Joseph F. Stephenson, Sixteenth Century Journal
"Given the significance of sex and money to the exploration of commercial travel and separation, Christensen's observations will likely also prove of interest to those working on city comedies, which share those themes, as well as to those interested in poetry, marriage treatises, ballads, and other writings from this period that fall outside the domestic drama genealogy, but share many of its concerns. So too, the tension between absent husbands and stay-at-home wives reverberates through a myriad of more recent writing, suggesting that Christensen's informative and vibrant study of the impact of globalization on domestic economies and structures will have broad and ongoing relevance."—Aoise Stratford, Journal of Dramatic Theory and Criticism
"Ann C. Christensen’s Separation Scenes: Domestic Drama in Early Modern England adds to excellent recent studies of domestic drama."—Jennifer Cryar, The Year’s Work in English Studies
“With one brilliant insight, Separation Scenes demonstrates the entanglement of the global and the domestic in the Elizabethan and Jacobean years. Ann Christensen’s readings of key domestic plays are both entirely fresh and historically true.”—Lena Cowen Orlin, professor of English at Georgetown University, executive director of the Shakespeare Association of America, and author of Locating Privacy in Tudor London
“Thorough, original, and revelatory, Separation Scenes brings to life the domestic drama of early modern England and elegantly illuminates a history of domesticity that includes the labors of women and men within and, crucially, far beyond the thresholds of the home.”—Ariane M. Balizet, associate professor of English at Texas Christian University and author of Blood and Home in Early Modern Drama: Domestic Identity on the Renaissance Stage
“Ann C. Christensen provides the best and most original study of early modern domestic tragedy to date. . . . Christensen allows us to see with greater clarity how the emergence of the ‘domestic’ is closely entangled with the rise of the ‘global.’ This is an important intervention.”—Jonathan Gil Harris, dean of academic affairs and professor of English at Ashoka University and author of Shakespeare and Literary Theory
