"Unstoppable Irish is the only work I am aware of that analyzes lyrics over such a sustained—not to mention crucial—period of Irish American history. The analysis allows us to see the process of Irish Americanization reflected in an evolving cultural arena, and it shows how song lyrics contribute to the development of what Raymond Williams has called the 'structure of feeling' of any given epoch. In doing so, Milner not only offers insight into the connection between popular culture and American political development, but also leads the way for other cultural historians of Irish America to follow." —Peter O'Neill, author of Famine Irish and the American Racial State
"Songs litter the archives of urban history. Apart from mining them for colorful quotations, however, most historians don’t quite know what to do with them. Dan Milner has found an answer by combining the microhistory of the Irish in New York City with a close reading of eighteenth- and nineteenth-century song lyrics from the city’s popular press and stage. Milner’s weaving together of local politics, urban sociology, popular entertainment, and Irish song culture provides insight into how the image of NYC’s Irish Catholics moved from that of unwanted poverty-stricken immigrants to acceptable new citizens, who, by the end of the nineteenth century, were taking charge of the city." —William H. A. Williams, author of 'Twas Only an Irishman’s Dream: The Image of Ireland and the Irish in American Popular Song Lyrics, 1800–1920
"Dan Milner caps decades of performing and collecting traditional folk music with an insightful analysis of how songs illuminate the Irish journey from outsiders to insiders. This book is essential for understanding New York City and Irish America." —Robert W. Snyder, Rutgers University-Newark
"Music and song is the royal road into the psyche of the Irish and this book is a profound meditation on the journey toward becoming that was taken by the Irish of New York in the 19th century. In all of us that journey lives and these songs and what they tell us about the hopes and dreams of our forebears, as well as the heartache they endured, reward the scrutiny that Milner brings to them here." —Irish Central
"An incisive and enlightening exploration of immigrant culture and integration. Dan Milner offers insights into popular song as a means of protest and pride, which echo from nineteenth-century music halls to present-day rap. This is cultural history at its demotic best." —Peter Quinn, author of Banished Children of Eve: A Novel of Civil War New York
"An excellent, well-researched work that tells a fascinating story about the early Irish Catholic experience in America. . . . The way Milner traces this history is fascinating. Rather than relying solely on dry sources like archival newspapers and secondary scholarship, he incorporates song texts—folk songs, street songs, and early variety theater lyrics, all taken from period sources such as broadsides, songsters, and published songs—to create a deeper and more nuanced reading of the Irish Catholic experience." —The Irish Echo
“In this fascinating study Dan Milner focuses on the songs of the New York Irish and uses them to uncover the experience of that immigrant community in the century from 1783. The Irish experience over that period was essentially a struggle for Catholic incomers to achieve acceptance from a Protestant establishment.” —Dublin Review of Books
"[A] treasury of mini-essays on many indelible songs from throughout the nineteenth century. . . . Milner brings Irish American history to life, through song, in this compelling book." —New York Irish History
"MIlner offers evidence—largely through folk and popular period songs of the era—of how New York City’s Irish Catholic community gained acceptance in the city, culminating in the election of its first Catholic mayor, William R. Grace. Milner’s central premise is that the Irish integrated, rather than simply assimilated, within the larger New York population." —Boston Irish Reporter
“The study focuses on the century-long period from the withdrawal of British troops from New York at the end of the American War of Independence to the first term of Irish-born William R. Grace, New York’s first Catholic mayor. Milner is clearly knowledgeable on the subject.” —Choice
“Dan Milner has an enviable triple-threat musical quality: He’s equally good at writing and talking about songs as he is singing them.” —Boston Irish Reporter
