"Quint arms herself with extensive research, using sources in Yiddish, Russian, and Hebrew, to reassess the late nineteenth-century Russian Jewish experience from the vantage point of the Yiddish theater as it evolved into a thriving cultural institution. She surveys the content of their performances; describes the lives of the actors, writers, and directors; and explores critics' and audiences' responses to their productions.The Rise of the Modern Yiddish Theaterteems with fascinating information that deepens our understanding of how the professional Yiddish theater coalesced, and the role it played in the social life of the late nineteenth-century Russian Jewish city."—Joel Berkowitz, Professor of Foreign Languages and Literature, University of Wisconsin-Milwaukee
"This is the final word on the subject; the sources are in Yiddish, Russian, Hebrew, French, and German. If the adjective definitive holds any meaning in literary history, it can be applied to this volume, yet the prose is transparent and comfortable for any reader."—Choice
"Imagine a history of the English novel that makes scant reference to Sterne or Austen, a study of American literature that leaves out all mention of Irving or Poe, or an assessment of German Romantic poetry that ignores Heine. That is roughly the state of scholarship in English on the Yiddish theater, which has no major work devoted to Avrom Goldfaden, one of the founders of the professional Yiddish stage.Alyssa Quint's pathbreaking work is valuable not only for the attention paid to the texts of Goldfaden's Yiddish work, but for its discussion of how the texts emerged from their milieu and how they, in turn, influenced that world."—Barbara Henry, editor (with Joel Berkowitz) of Inventing the Modern Yiddish Stage: Essays in Drama, Performance, and Show Business
"In lively prose and penetrating analysis, Quint turns the fascinating life of Avrom Goldfaden into a multi-dimensional history of the Yiddish theater's formative years, and a study of the origins of Jewish modernity itself."—Jeffery Veidinger, author of Jewish Public Culture in the Late Russian Empire
"Finalist, 2019 Jewish Book Awards, Scholarship"—
"This is a major contribution that fills longstanding scholarly gaps, both in our understanding of Goldfaden as a historical figure and in our understanding of how modern Yiddish theater first developed."—Debra Caplan, In Geveb A Journal of Yiddish Studies
"Quint sucessfully outlines the interconnections between theatre producers, audience, actors, and theatre critics as well as Yiddish critics."—The Year's Work in Modern Language Studies
