A Feminist Ethnomusicology

"One of the clearest overviews of the history of feminist and gender studies--in general and in the specific domains of musicology, ethnomusicology, and anthropology--that I have read. The bibliography alone is worth the price of admission."--Margaret Sarkissian, author of D'Albquerque's Children: Performing Tradition in Malaysia's Portuguese Settlement

"A clear summary of key ideas and pioneering books and presents illuminating descriptions and definitions of central concepts and terms.  This book is valuable for its depth and fluent writing.  Recommended."--Choice

"This volume represents 40 years of research and writing by one of the most influential ethnomusicologists in the discipline. . . . One of the characteristic features of this book is the author's voice, captured in a writing style built on a candour that draws the reader into the heart of the narrative. . . . This is a personal (and intellectually rigorous) account-- one filled with hilarious anecdotes, personal misgivings, and candid admissions of doubt. . . . Stylistically accessible while theoretically sophisticated, the book also is suitable for a wider readership interested in feminism, gender studies, and music." --Ethnomusicology Forum

"An accessible and engaging reflection on the contribution of feminist scholarship to ethnomusicology from the early 1970s to 2012."--American Anthropologist

"A scholarly book rarely satisfies the academic reviewer fully, as one publication scarcely can cover all relevant ground in its field(s) of research. Ellen Koskoff’s A Feminist Ethnomusicology is an inspiring exception: I strongly encourage scholars and students interested in music, anthropology, gender, and feminist scholarship to read it."--Journal of the Royal Anthropological Institute

"An essential and flagship book to research in ethnomusicology."--MUSICultures