Hollywood Exile, or How I Learned to Love the Blacklist

9780292728332: Paperback
Release Date: 1st March 2001

33 halftones

Dimensions: 152 x 229

Number of Pages: 335

Series Texas Film and Media Studies Series

University of Texas Press

Hollywood Exile, or How I Learned to Love the Blacklist

Paperback / £26.99

The Hollywood blacklist, which began in the late 1940s and ran well into the 1960s, ended or curtailed the careers of hundreds of people accused of having ties to the Communist Party. Bernard Gordon was one of them. In this highly readable memoir, he tells a engrossing insider's story of what it was like to be blacklisted and how he and others continued to work uncredited behind the scenes, writing and producing many box office hits of the era.

Gordon describes how the blacklist cut short his screenwriting career in Hollywood and forced him to work in Europe. Ironically, though, his is a success story that includes the films El Cid, 55 Days at Peking, The Thin Red Line, Krakatoa East of Java, Day of the Triffids, Earth vs. the Flying Saucers, Horror Express, and many others. He recounts the making of many movies for which he was the writer and/or producer, with wonderful anecdotes about stars such as Charlton Heston, David Niven, Sophia Loren, Ava Gardner, and James Mason; directors Nicholas Ray, Frank Capra, and Anthony Mann; and the producer-studio head team of Philip Yordan and Samuel Bronston.

  • Preface
  • Acknowledgments
  • Chapter 1
  • Chapter 2
  • Chapter 3
  • Chapter 4
  • Chapter 5
  • Chapter 6
  • Chapter 7
  • Chapter 8
  • Chapter 9
  • Chapter 10
  • Chapter 11
  • Chapter 12
  • Chapter 13
  • Chapter 14
  • Chapter 15
  • Chapter 16
  • Chapter 17
  • Chapter 18
  • Chapter 19
  • Chapter 20
  • Chapter 21
  • Chapter 22
  • Chapter 23
  • Chapter 24
  • Chapter 25
  • Filmography
  • Index

Bernard Gordon wrote or produced more than twenty motion pictures, including Battle of the Bulge, 55 Days at Peking, The Thin Red Line, Krakatoa East of Java, Day of the Triffids, Earth vs. the Flying Saucers, and Horror Express. Still active in struggles for democratic values, he helped lead the fight against the Academy of Motion Picture Arts and Sciences Lifetime Achievement Award to Elia Kazan, who cooperated with the House Committee on Un-American Activities during the blacklist era. Bernard Gordon lives in Los Angeles.

"Gordon's story is one of triumphing over adversity, as he managed to make a decent living and live a rather exotic life peopled with colourful characters, while maintaining his moral integrity. It's an inspiring, fascinating read."

Reel Ink