The earliest rock art - in the Americas as elsewhere - is geometric or abstract. Until Early Rock Art in the American West, however, no book-length study has been devoted to the deep antiquity and amazing range of geometrics and the fascinating questions that arise from their ubiquity and variety. Why did they precede representational marks? What is known about their origins and functions? Why and how did humans begin to make marks, and what does this practice tell us about the early human mind?
With some two hundred striking color images and discussions of chronology, dating, sites, and styles, this pioneering investigation of abstract geometrics on stone (as well as bone, ivory, and shell) explores its wide-ranging subject from the perspectives of ethology, evolutionary biology, cognitive archaeology, and the psychology of artmaking. The authors’ unique approach instills a greater respect for a largely unknown and underappreciated form of paleoart, suggesting that before humans became Homo symbolicus or even Homo religiosus, they were mark-makers - Homo aestheticus.
Definitely the best book on the subject of rock art ever written. Full of fascinating images and ideas, it tackles hard questions and discusses them in a balanced, objective manner.
Desmond Morris, author of The Biology of Art and The Naked Ape
It is the hardest thing in the world to escape the grip of our own prejudices. Early Rock Art is important because it challenges our modern obsession with explicit symbols and stories and aims to free our theories of art from the iron grip of literate culture. I applaud the authors' efforts to dig deeper, to find the ancient roots of our aesthetic sensibilities.
Merlin Donald, emeritus professor of psychology at Queen's University and author of Origins of the Modern Mind
Presents new ideas on the origin and importance of art to all human cultures and shows that the neglected geometric rock art of the American West has an intriguing and essential story to tell.
Paul Tacon, Chair in Rock Art Research, Griffiths University, Australia
There is no previous book on this type of rock art—usually it is given only cursory treatment, largely because geometric imagery defies conventional approaches to interpretation. Malotki and Dissanayake address what we know and what we can know about early geometric rock art.
James D. Keyser, author of Indian Rock Art of the Columbia Plateau
Malotki and Dissanayake’s intriguing concept of 'artification' gives researchers another tool to use when examining ancient rock art. The photos alone warrant purchasing this book.
D. Clark Wernecke, executive director, Gault School of Archaeological Research
In this welcome book a long-neglected rock art tradition is examined at length. The work is so wide-ranging that any reader will also learn about many important anthropological concepts. Last but certainly not least, splendid photographs accompany the texts throughout.
Jean Clottes, author of What Is Paleolithic Art?
A fascinating and thought-provoking volume that explores the enigma of geometric rock art in the American West with great insight and authority. Lavishly illustrated with Malotki’s incredible photography, this work is as much a feast for the eyes as for the mind.
Ben Watson, paleoart specialist
A tribute to the artistic and intellectual achievements of Paleoamericans. Scholarly and innovative, sophisticated yet accessible, and with a wealth of breathtaking pictures.
Tilman Lenssen-Erz, African Archaeology, Institute for Prehistoric Archaeology, University of Koln
Malotki's fascinating photographs and Dissanayake's pathbreaking ideas make this book a must for all research on American rock art and the roots of human creativity.
Christian Zuechner, director emeritus, Institute of Prehistory and Early History, University of Erlangen-Nurnberg
Here, finally, is a book that presents the remarkable first paleoart of North America comprehensively and in all its glory. Malotki’s marvelous ability to capture rock art photographically has been noted before as being without equal, and this book is no exception. . . . But what makes this volume so precious is the most propitious combination of Malotki’s encyclopedic knowledge of the Southwest’s rock art with Dissanayake’s sophisticated understanding of the nature of art-like production.
Evolutionary Studies in Imaginative Culture